Volume 15 / 2023

Edited by Vítor Moura and Connell Vaughan

Table of Contents

Complete Volume

Sérgio Pinto Amorim The Forms, the Architect, and the Act of Doing Architecture 1-14
Pedro Borges de Araújo Notes on Aesthetics in Architecture 15-39
Emanuele Arielli AI-aesthetics and the artificial author 40-54
Alessandro Bertinetto Habits of Unexpectedness. Expressiveness in Musical Improvisation (and Beyond) 55-83
Thorstein Botz-Bornstein Guilt and Shame: Ethics and Aesthetic 84-93
Gregorio Fiori Carones Simmel and the Aesthetics of Luxury 94-109
Veronika Darida The Aesthetics of Gesture 110-123
Harry Drummond Pitches and Paintings: A Conferralist Theory of Art 124-138
Hannah Fasnacht Different Levels of Narrative Pictorial Content 139-166
Anna Fech What’s the “New” in “New Extractivism”? Tracing Postdigital Aesthetics in Vladan Joler’s Assemblage 167-184
Stacie Friend Fiction, Belief and Understanding 185-204
Pablo Genazzano General Remarks for a Historical and Systematic Reconstruction of Kant’s Analytic of the Sublime 205-216
Jeffrey Goodman Should We Accept Fictional Universals? 217-233
Peter Hajnal Aesthetic Education and Embodiment: Notes Toward a Cavellian Approach 234-251
Sarah Hegenbart Democratic and aesthetic participation as imposition: On the aesthetics of the collective 252-270
Gizela Horváth Displaying Participatory Art

271-284

René Jagnow Multisensory Experience of Paintings

285-304

Lev Kreft Resentiment, Artivism and Magic

305-315

Efi Kyprianidou Moral disgust and imaginative resistance

316-327

Federico Lauria Values in the Air: Musical Contagion, Social Appraisal and Metaphor Experience

328-343

Leonardo Lenner From Concept to Image and Vice Versa: the Philosophical Frontispiece

344-362

Lukáš Makky Revisiting the concept of the end of art

363-383

Martino Manca For the Snark was a Boojum. Towards a Positive Aesthetics of Literary Nonsense

384-395

Sofia Miguens The many ways of doing philosophy of architecture (and what they tell us about contemporary philosophy and the place of aesthetics in it)

396-405

Davide Mogetta Between Art and Philosophy. Patterns of Baxandall’s Criticism

406-418

Francisca Pérez-Carreño Fiction as Representation. Or the Verbal Icon Revisited

419-430

Dan Eugen Ratiu Objects at Work: How Do Artefacts Work Aesthetically in Everyday Organizational Life?

431-457

Matthew Rowe The Implications of Mistakes About Art: Ontological and Epistemological

458-470

Merel Semeijn Common Belief and Make-believe

471-485

Thomas Symeonidis On the different meanings of aestheticization

486-496

Małgorzata A. Szyszkowska The Impression of Music: Edmund Gurney’s ideas about music in The Power of Sound

497-510

Elettra Villani Aesthetic versus functional: overcoming their dichotomy in T. W. Adorno’s Functionalism today

511-521

Andrew Wynn Owen Does a plausible construal of aesthetic value give us reason to emphasize some aesthetic practices over others?

522-532

Giulia Zerbinati The Truth of Art. A Reflection starting from Hegel and Adorno

533-541